Extravagant masquerades, acrobatics and a mystery
It was the usual mixed demographic
of performance goers: a
few stray professors, a fairly large
group of Waterville residents,
friends of the dancers and the
group of students who had heard
about the performance through
hearsay. But combined, they
formed a full house for the Colby
Dance Theater performance on
Friday evening, April 17.
Through the chatter rising from
various niches of this crowd, you
could just barely catch the faint
tinkering of a percussion instrument
near the stage below. It was
Todd Borgerding (Associate
Professor of Music) sitting in
front of his harpsichord and playing
a selection of early Baroque
music as the audience waited for
the show to commence.
The lights went off, then were
turned on soon after, and Borgerding
was no longer by his instrument.
Instead, he had reappeared beside
the still figures of four masked
ladies, who were dressed in balletlike
garb with stiff,
important-looking
Victorian collars
around their necks.
Dressed for a masquerade,
these girls
were to dance the
"Balleto de la belle -
zza" to the musical
sounds that the audience
had been given
a preview of just
moments before.
Performed by
dancers Elana
Cogliano '09,
Hannah Goodwin
'12, Allie Stitham
'12 and Anna Tanasijevic '12, the
ballet was polite, tranquil and compelled
the imagination to drift to a
time long ago when extravagant
balls were pleasant rituals of entertainment
that fair ladies and polite
gentlemen paid tribute to. Perhaps it
wasn't the most energy--or awe--
generating of the five segments, but
the ballet was a pleasant opener that
allowed the audience to become
acquainted with the rest of the show.
The performance gained momentum
with its
second and
third segments
"Mission to the
Moon" featuring
Cassie
Coleman '11,
Lindsay Dale
'12, Liz
Davidson '11,
Ali Lavine '11,
Ellen Morris
'11, Katie
Ouimet '11 and
Abby West '11;
and "The
Mysteries of
Harris Burdick"
with dancers Cogliano, Goodwin
and Tanasijevic. "Mysteries," based
on a book titled The Mysteries of
Harris Burdick by Chris Van
Alsburg, teased the onlooking audience
with its jestful choreography.
The curiosity and
adventurous spirit of
the three-person
detective team was
contagious and it
wasn't long before
the troupe had
locked the attention
of every member of
the audience, all of
whom laughed as
they joined the
dancers in spirit on
their imagined chase
after an unknown
and invisible, but
nonetheless coveted,
object.
After the playful
fiasco of the third
segment, seeing
the next segment,
"Halmoni," was
like being jolted
awake from a mild
dream to face the
despondent and
macabre features
of reality. Dedicated to the band
of Korean "halmoni" (meaning
"grandmothers"), as was the
groups self-titled moniker, the
choreography depicted the horrors
that these women had been
subjected to as "comfort women"
of the occupying Japanese military
during the Second World
War. Accompanied by an unsettling
collection of music--what
sounded like jarbled sound clips
of the Korean survivors set to a
heavily somber tune--the dancers
first demonstrated the capture,
then the violent rape, and finally
the ineradicable memories of the
halmonis' past. Half dragging
their feet from physical and mental
exhaustion, the dancers
trudged toward the center stage--
each carrying a dark leaden box as
she did so--to show how the burden
of the past was an permanent
weight that the group of halmoni
would be forced to carry as long
as they lived.
Finally came the closing segment,
"A Lofty Tango," performed
by Cogliano, Goodwin and
Ouimet and reminiscent of the
acrobatic dips and dives that aerialists
from Nimble Arts had performed
in Strider Theater only a
few months before. Yet witnessing
the trio perform its act--from
what seemed to be at least ten feet
above the ground--felt just as
frightening. But vertigo? The girls
had none; rather, they climbed the
suspended silk sashes and hanging
bars as if they were born into the
profession. The clearly awed audience
clapped wildly in response to
their remarkable performance and
thus ended Colby Dance Theater's
display of eclectic choreographic
and dance talent.