College symphony’s “lush orchestrations”
Entitled “The British Are Coming, The British Are Coming!,” the concert was advertised as a night of British composers and their “lush orchestrations” and “singable tunes.”
Entitled “The British Are Coming, The British Are Coming!,” the concert was advertised as a night of British composers and their “lush orchestrations” and “singable tunes.”
The concert showcased the dynamic musicality of the often “lowly trombone.”
The warm welcoming of tea and cookies was a telling start for the night of honesty, reverie and soul.
A year and a half after their last visit, internationally acclaimed Boston Ballet principal dancers Kathleen Breen Combes and Yury Yanowsky pirouetted their way back to the Hill this past Saturday, Oct. 1.
The A.R.T.’s production of Porgy and Bess as a while was nothing less than spectacular.
Sarah Kay and Phil Kaye came onto the stage like youthful rock stars, and after a brief introduction, surged into their poetic, magnetic performance of words, song and movement.
Nick Tucker '11 and Sam Rouleau '10 began a charity called Making Strides, in which the duo will walk from Maine to California performing random acts of kindness.
Although the performance commemorated Renaissance-guru Victoria, the program featured various composers of the 16th century, all of which utilized similar contrapuntal conventions.
Through the musicians’ funky tie-dye attire, the impressive student-arranged and student-composed features, and Thomas’ priority of good music over audience expectation, it was clear that music was the most important concern.
The performance [of L'Historie du Soldat] combined music, dance, poetry and theater, providing a quirky change in atmosphere from the familiar orchestral symphonic concert to an unorthodox entertainment (of course, Stravinsky’s instrumental compositions are impressive and complex). This eccentric synthesis of artistic mediums in the second half delineated the intertwining relationships between movement, character, word and sound.
While the pieces chosen were based on the program’s theme of “literary delights,” the concert was a strange, though intriguing, combination of French Romantic art songs and 20th century Neoclassical interpretations of Renaissance folk traditions, re-imagining old art through new ideas.
After taking Grossman Professor of Economics Patrice Franko’s Economics of Globalization class this past fall, two seniors on the Hill embarked on a research opportunity with Dr. Howard Rosen, the executive director of the Trade Adjustment Assistance (TAA) Coalition.